Showing posts with label public art. Show all posts
Showing posts with label public art. Show all posts

Saturday, June 25, 2022

I Love L.A.! Part II

From Dave Brigham:

At the end of my previous post about Lower Allston, aka L.A., I asked a teasing question about this post: Will there be any movie stars? I'm happy to reply that the answer is, "No."

When I'm on a mission to shoot cool murals and graffiti, old buildings, historic milestones and ghost signs, I don't want to be distracted by glamorous actresses and ruggedly handsome actors, by cadres of stunt doubles nervously smoking cigarettes while they wait for their moments of danger, by directors yelling "Cut!" and "Action!" from behind superfluous sunglasses. That's not to say that Allston hasn't had its share of movie moments. IMDB lists nearly 40 films and videos that have allegedly been shot in this Boston neighborhood.

Maybe, though, I just wasn't trying hard enough, not hanging around Red Sky Studios long enough.

Located on Everett Street, Red Sky offers two "fully functioning soundstages...wardrobe & makeup rooms, on-stage production space, ample parking, catering space and a working kitchen. As well as, a fully stocked in-house rental house for lighting, grip, expendables and all of your production needs," according to its web site.

I'm not sure any movies have been shot here. "We are currently hosting commercials, still photography, film work, camera tests, corporate events, special events, launch parties, fashion shows and shoots, production office space, build-outs and more."

While you're creeping outside the studio, fill your belly with something delicious from Blackbird Doughnuts, located around the corner on Holton Street.

(The rear of Blackbird Doughnuts, natch.)

Steps away from the bakery is the Boston Fire Department's Special Operations Training Center for Haz-Mat and Tech Rescue.

Serious business goes down here. Haz-Mat is short for hazardous materials, while tech rescue involves rope, confined space, vehicle/machinery, structural collapse, trench and water rescues.

What drew me to L.A. for a second photo stroll was, believe it or not, a relatively modern building on the campus of the World's Greatest University.

I'd wanted to check out the Class of 1959 Chapel on the campus of the Harvard Business School since learning about it a few years ago. The chapel was designed by Moshe Safdie and Associates and completed in 1992. It is used for non-denominational services, ceremonies and concerts, according to its web site. Unfortunately, I couldn't get inside (or maybe I could; I didn't try). It seems like a pleasant oasis for folks who are studying to take over the world.

I love having destinations in mind on my treks through the neighborhoods of Boston, and in surrounding cities and towns. But I also love stumbling across sites that I had no idea existed.

Known as Interconnected, this fantastic work of art by Sophy Tuttle adorns the front of yet another Harvard-owned building, the purpose of which I do not know.

Built in 1941 (or 1899, if you believe the Boston Assessing Department), this place was once the New England Deposit Library, a storage library for a regional consortium of academic and public library systems, including Harvard's. Harvard acquired the building in 2005, according to the Harvard Property Information Resource Center.

Just east of the old deposit library there are two buildings that are part of the Harvard Innovation Labs. Below is one of them. I just couldn't resist taking this picture.

The Hi Labs "are an ecosystem that exists to support Harvard students and select alumni in their quest to explore the world of game-changing innovation and entrepreneurship," per the official web site.

A short distance west of the Hi Labs is a red bovine that I somehow missed on my first walk through this area.

This is the mascot (mas-cow?) of Swiss Bakers, which was founded in 2006 seeking to bring European baked goods to the Boston area, per its web site. There is a second location north of the city, in Reading.

I'm gonna wrap up in the south-central area of L.A., where Cambridge and Lincoln streets come together (for more on Lincoln Street, see May 15, 2021, "A Magic Trek in Brighton," which covers parts of Brighton and Allston).

Foreign Auto Body was founded in 1960 by John Soligan. His son, George, now runs the shop.

Despite the run-down look of the place, quality is Job One with these guys. "Unlike nearly every other body shop in New England, Foreign Auto Body Co. does not use fillers or bondo in the repair of your vehicle," the shop's web site proclaims. "As a result, your repairs will be flawless and as close to original as humanly possible. This artisanship has been passed down through generations and the skill and pride of repairs done at Foreign Auto Body Co. is unmatched."

I hope they stay in business another 60 years.

Steps away is 510 Lincoln Street, the former location of an auto parts business.

If you're a business looking for space, you'll be interested to know this one is for lease. If you're everybody else, you'll be interested to know that this building (and the one next door) represents yet another cool Caleb Neelon project.

The building below, 500 Lincoln Street, is home to the accurately named Medical Center Orthotics & Prosthetics.

For more of Neelon's work, see:

April 16, 2022, "Jamming Through Allston, Part IV: Artsy Stuff"

June 23, 2020, "Walking Through the He(art) of Central Square"

August 25, 2019, "Union Square, Somerville, Part I: New Purposes & Grease Monkeys"

Saturday, April 16, 2022

Jamming Through Allston, Part IV: Artsy Stuff

From Dave Brigham:

I never tire of stumbling across murals and kick-ass graffiti when I'm out and about with my camera. As I've discovered over the years, some murals last a really long time, while others are ephemeral, getting defaced or painted over or bulldozed. To finish up my series about Boston's Allston neighborhood, I want to showcase a TON of public art, and talk about which of these works will soon fall under the wrecking ball (very few, thankfully), which ones should survive for a while, and give credit to the artists where possible.

For links to the previous three installments in this series, see the bottom of this post.

I'm going to start with the most stunning mural in Rock City.

Located on a side wall of a CVS store, at the end of dead-end Harvard Terrace, this masterpiece was painted by Gregg Bernstein, whose work fills this neighborhood. This mural shows the Boston Public Garden in vivid colors that are probably not far from the reality of a high-autumn day in the city. It's such a shame that this work is tucked down a side street that few people travel down. This one dates to 2016.

Let's check out more of Bernstein's work.

The building-sized postcard above can be seen on the side of Azama Grill at the corner of Farrington and Harvard avenues. Bernstein painted this in 2012.

Located on the corner of Commonwealth and Harvard avenues, overlooking the trolley tracks, this tribute to Allston, Boston and the MBTA also dates to 2016. I wish it were easier to see (and photograph) from street level.

Painted on the side of Fast Eddie's Smoke Shop, this mural shows Harvard Avenue in modern times (on the right) and olden times (on the left, which I did a terrible job of capturing).

Finally, we have this one on dead-end Glenview Terrace, on the side of Blue Moon Smoke Shop, which is directly across Harvard Avenue from Fast Eddie's.

My second favorite Allston mural is also on Glenview Terrace.

I'm not sure whether Bernstein also painted this one, which is located on the side of Glenville Terrace Auto Body & Repair. He doesn't feature it on his web site.

While my two favorite Allston murals are tucked away a bit, the beauty on the side of The Silhouette Lounge is easy to spot.

Known as "The Famous Joe's," this one was painted by the Boston Mayor's Mural Crew and Johanna Kenney. Can you name all the Joes?

This lovely splash of color on the side of Scissor Sound Hair Studio was painted by Ryan Adams (no, that this Ryan Adams).

On the side of the Gordon Building along Glenville Avenue is this one painted by the Mayor's Mural Crew.

In an alley/driveway between Allston Car Wash and Bazaar on Cambridge there is a lovely, eye-popping series of food- and flower-related paintings.

At least some, if not all, of the works are by Lena McCarthy, who painted a mural that I featured in a post about Framingham last October.

I assume McCarthy painted the front of Bazaar as well.

The mural on Allston & Brighton APAC Child & Family Service Center, below, is really nice. I couldn't find any information online about who painted it.

Across Cambridge Avenue from the APAC site is a nice mural on the side of Sheesha Lounge, a hookah bar that may or may not still be open.

I'm not sure who painted this one.

Around the corner, on Denby Street, is this mural with brightly colored leaves and two cuddly creatures.

This one was painted by Caleb Neelon, who has completed murals in Brazil, Nepal, Honduras and other countries, as well as many in and around Boston. I featured one of his murals in a post about Cambridge's Central Square.

I can't decide if the mural below would look better with the trash bins moved out of the way.

I like the concept of a big bang exploding out of the refuse of urban life and the two figures soaking it up. I don't know who painted this.

Next, I want to highlight a few electrical box works.

Located on Cambridge Street in front of Allston Collision Center, this funked-up cassette tape and bees mural was done by Nicole Barr.

The one below, located on North Beacon Street in front of vegan restaurant Grasshopper, was painted by Merlo Philiossaint, who has painted other electrical boxes, in addition to plenty of other stuff.

Let's check out some free-form stuff.

Located down an alley heading toward Allston Auto Works, this work is painted on a brick wall, but it looks like it could have been removed from the wall of a local museum or gallery. I don't know who the artist is.

The graffiti below is located on the side of Action Bearing Company, which manufactures ball bearings, cam followers, spherical bushings and other stuff that I know nothing about.

In a back alley behind the Azama Grill, I spied the graffiti below, which I like, although I'm not sure exactly why. I guess I dig the blue door and red awning. Would I like them more without the graffiti? Perhaps.

The next piece has been in place for quite some time, I think. I heart it.

Located on a pedestrian bridge that spans the Mass. Pike, connecting Cambridge and Lincoln streets, this work is an entreaty for love. "Nasr, my dear," it reads. "What if we were to meet in Sumra, in the Garden of Eden, free from bliss, in a state of complete innocence. Mary."

Sumra is located in Iran.

All of the works above are safe for the foreseeable future, as far as I know. The ones below, however, are not.

The Parma Chai Out of the Blue Community Arts Gallery has a space inside the former fire station on Harvard Avenue. In the alley between that building and 2 Harvard Avenue, the gallery exhibits some works. The latter building is slated to be demolished as part of the Allston Square development that has been approved by the Boston Planning & Development Agency.

While Allston Square's developers have pledged to "host a lot of public artwork, including murals and sculptures as well as 9,000 square feet of exhibition space amid 27,758 square feet of open space," according to documents available online, the public will nonetheless be robbed of some existing art.

A former service station on Cambridge Street has become an outdoor graffiti gallery.

I won't mourn the loss of those tagging works. But I am saddened by the future destruction of the works of art in the photos below.

"There's a new world rising from the shambles of the old," this work says, perhaps ironically. I'm not sure how long this beautiful mural has been here. Did the artist know this building would be torn down?

The masterpiece below should be removed carefully and installed in a location where the public can enjoy it in perpetuity.

I've been unable to find out who painted this. I don't think it's an officially sanctioned work. I hope that the artist is being paid to create art like this somewhere.

Well, that wraps up my Allston series. Below are links to the previous three parts.

April 9, 2022, "Jamming Through Allston, Part III: Buildings and Other Old Stuff"

April 2, 2022, "Jamming Through Allston, Part II: The Future"

March, 26, 2022, "Jamming Through Allston, Part I: Rock City"

Saturday, January 22, 2022

Jamaica Plain, Part I: Shopping & Snapping

From Dave Brigham:

I did a fair amount of Christmas shopping at local businesses this season. For the first time ever, I combined that effort with a photo trek through the main retail district in Boston's Jamaica Plain neighborhood. Here's what I found.

Along South Street, just north of where it intersects with New Washington Street, I spied Arborway Auto Service.

I was struck by how neat and clean this place looks, with its immaculate brick front and gleaming sign, which was done by Josh Luke of Best Dressed Signs. You can really sense the pride in this business, which was founded in 1971.

Heading north along South Street, I was captivated as much by the outside of Botanica San Miguel....

...as by what they sell inside.

I'm not sure how long the store has been in business; I found a very positive review from 2010 on Yelp.

Next door is The Jeanie Johnston Pub and Grill, a joint named after what it calls "the legendary Irish famine ship" on its web site.

The ship was built in 1847 in Quebec. "The 408 ton cargo ship was purchased in Liverpool by John Donovan and Sons of Tralee, Co. Kerry," according to the Jeanie Johnston Educational Foundation web site. "As the famine gripped Ireland, the company ran a successful trade bringing emigrants from Ireland to North America and returning with timbers bound for the ports of Europe. She made her maiden emigrant voyage from Blennerville, Co. Kerry to Quebec on 24 April 1848, with 193 emigrants on board, as the effects of the Famine ravaged Ireland. Between 1848 and 1855, the Jeanie Johnston made 16 voyages to North America, sailing to Quebec, Baltimore, and New York."

As for the pub, it hosts open-mic and karaoke events, as well as trivia nights. None of those activities are happening these days, though. The building dates to 1910. I'm not sure what was in the space before the Jeanie Johnston.

A few doors down is Deep Thoughts record store.

Again, I'm not sure when this fantastic store opened, but based on the video below, it seems like the best kind of place for record lovers: stocked with more genres of music than you can imagine; jammed with buttons and books and art - a real orgy for the eyes.

STO 3: Deep Thoughts from Teen-Beat on Vimeo.

I've suggested to my wife's brother in law that he seek out a synergistic marketing deal for his Deep Thoughts Designs fishing gear.

Next up as we head north is Happy Market & Spirits.

The store looks great, but I was most interested in the Budweiser sign hanging outside.

Across the street is a Boston Housing Authority apartment complex. I like the fading mural on what appears to be a storage or maintenance annex.

I love how the artist incorporated the door of the building into this pastoral scene of a small house, a woman gathering fruit from trees, a river and gently rolling mountains in the background.

From South Street, I spied a cool building just a little ways down Carolina Avenue.

Established in 1894, Penshorn Roofing does slate work, asphalt shingles, copper fabrication, gutter work and more. I thought at first that this place was abandoned, but I was wrong.

Back on South Street, something about the signs for Peru Travel hit me just right.

The sign on the side of the building is hand painted and looks pretty old. The one on the front of the store has a fantastic image that makes travel seem glamorous. And the way the phone number is painted -- old-school, no area code -- speaks of a simpler time. By the way, notary services are also available here.

On the east side of South Street, just before it merges into Centre Street, is the Curtis Hall Community Center.

Built in 1868, this beautiful Second Empire building served as the West Roxbury Town Hall from that year until 1873, per MACRIS. From 1876 to 1908 it was the Jamaica Plain Library. Founded in 1630 as part of Roxbury, West Roxbury seceded from its parent town in 1851, per Wikipedia. West Roxbury, which included the neighborhoods of Jamaica Plain and Roslindale, was annexed by Boston in 1874.

A fire destroyed part of the building in 1908. In 1911, the JP library reopened. In more recent years, Curtis Hall (aka the Memorial Building) housed Jamaica Plain Little City Hall, per MACRIS. These days, the hall features a community room, a computer lab, a fitness center, an indoor pool, a senior center and a teen center.

This brings us to the triangular intersection of South, Centre and Eliot streets. Here is located the Loring Greenough House, just north of Curtis Hall. Built in 1760, the house since 2008 has served as a center for social, cultural, historical, and educational activities, per its web site. It is operated by the Jamaica Plain Tuesday Club, which was founded in 1924 as a ladies-only club and functioned that way until 1993. As you perhaps are figuring out, I didn't shoot any photos of the house, as I'm not really into well-preserved, museum-type places.

Of more interest to me in this intersection was the Civil War Monument.

Dedicated on September 14, 1871, this 27-foot-high memorial to West Roxbury's Civil War dead is one of the more impressive war statues I've seen in Greater Boston. W.W. Lummus -- who sounds like a Dr. Seuss character -- designed the entire monument; Joseph Sala sculpted the statue of the soldier that tops it off.

On the corner of Centre and Eliot streets, on the west-facing side of a one-story retail building, is the cool mural below.

Painted by the Mayor's Mural Crew (have I mentioned how much I love that the MMC is a thing?), the artwork features perhaps two dozen people across all ages and ethnicities and times, including the soldier from the Civil War monument.

Just up Eliot Street is the stunning Eliot Hall.

Home to the Footlight Club, which claims to be America’s oldest community theater, having produced performances every year since 1877, this Greek Revival/Italianate beauty was built in 1832. The theater group has used the building since 1878. At that time the hall was owned by First Parish Church, which is located across the street on property once owned by Rev. John Eliot, the so-called "Apostle of the Indians" (see December 18, 2021, "I Seek Newton, Part XI: Newton Corner (Section 2)" for more about Eliot and a memorial to him in Newton). According to the church's web site, Eliot is considered "a perpetrator of cultural genocide by indigenous scholars."

I'm not sure if the church owned the hall since its construction. Regardless, by 1889 the parish considered razing the building to "put the property to better use," according to the Jamaica Plain Historical Society's history of the building. "Friends of the Club formed a committee who sold 1000 shares of a trust in Eliot Hall and bought the hall for the Footlight Club. Major renovation was done to convert the hall into a true theater and on January 9, 1890 the Club's 50th production played in the new Eliot Hall," according to the JPHS.

The Footlight Club has undertaken some major renovations to the hall. In the photo below, notice the white/gray structures floating above the main building. I'm not sure when that addition was put on. I believe that's the main auditorium.

More recently, the troupe has undertaken accessibility upgrades. "The work will provide access to four levels of Eliot Hall – from the basement to the first and second floors and to the stage level – ensuring that both audience members and potential cast and crew can access all parts of the building," according to the group's web site. "Alongside the building will run an accessible ramp that leads to a new entrance, the elevator, and a staircase to all four levels of the club. An additional accessible restroom will be added on the second floor, as well as increased storage space in the basement and on the first floor."

Next on our tour, along Centre Street, is an outlet of a local liquor-store chain that was founded 40 years before the Footlight Club's members began to trod the boards.

(Cool sign.)

Blanchards Wine & Spirits was established in 1838 in Boston's Scollay Square. In 1938, the company was bought by John Corey who "grew the company from one retail location into a chain [of] retail stores," according to the Blanchards web site. "He also opened a distilled spirits plant and import division in the 1950’s located in Boston’s Historic South End." The company operates seven retail stores in Greater Boston. Third- and fourth-generation Coreys continue to operate the business.

Blanchards is located next to the Robert Seaver & Company Block, which was built in 1875.

This site was where a provisions store stood in the late 18th century, according to MACRIS. "After retiring from the teaching profession, [Joshua Seaver] bought an old store on or near the site....During the early 19th [century] the store was the first stop for the stage coach on its trip from Boston to Providence." Robert Seaver took over the store from 1833 to 1885, having a new building constructed in 1875. His sons eventually owned the business. I'm not sure when the store closed, or what may have been there prior to the current tenant, Robert T. Fowler & Sons Insurance.

When I saw Costello's Tavern, below, I thought not of the famous comedian Lou Costello, who with his partner Bud Abbott is best known for the "Who's On First?" skit, but rather of two men named Costello I knew just a little bit many, many years ago.

The first was my elementary school principal, who of course we only knew as "Mr. Costello." I think his first name was Paul. In my mind, he looked a bit like Ed Sullivan, with jet-black, slicked-back hair and a perpetually red face. I recall him as being mean, but I imagine he wasn't like that all the time. The second guy is named Mike Costello, and he lived in an apartment building that my girlfriend (now wife) resided in in the early '90s in Boston's Brighton neighborhood. This guy, who was maybe in his early 40s, was nice enough, but seemed to be complete and total lush. I would exchange pleasantries with him, but I felt a bit creeped out by him.

Anyway, Costello's Tavern has been around a long time, I'm sure. It closed temporarily during the pandemic, but reopened shortly after I snapped this picture. The new apartments rising above the bar were added in 2020. According to a commenter on an article at Universal Hub about the apartments, "The space above the former Redds and Tony's had upper floors as part of the original structure. In fact the space on the 2nd floor, historically, was the home of the first silent film house that was accompanied by piano."

Wow! Love that history. The floors were torn down after a fire.

Across Centre Street from the tavern is Galway House, which has been serving up food and drink to the locals since 1960.

There's a fantastic painting on the front door.

The artwork is by Chris Plunkett, depicting a streetcar of the type that used to roll by the front door of Galway House. In 1985, the MBTA temporarily halted trolley service in Jamaica Plain. My son, who is my in-house expert on the T, tells me that temporary order is still in place even though the tracks were torn out a decade ago.

A little further north is the Centre Building.

This building rose in 1920, according to the Boston assessor's office. Current tenants include Eastern Bank and Susanna, a clothing store established in 1982.

I've featured a few murals and front-door paintings in this post, but none of them can hold a candle to the next one.

This is just a detail of the amazing work on the side of Purple Cactus, a Southwestern restaurant. This masterpiece was painted in 2013 by the Mayor's Mural Crew and Heidi Schork, who is the director of the crew. Schork lives in JP and spent eight years living in Mexico. So it's no surprise that this mural has a Day of the Dead look about it. "The Mexican Mural Movement of the early and mid 20th century remains an important influence in [Schork's] mural work," according to the City of Boston web site. "Heidi has led countless mural, installation, and public art events in Boston and in Mexico."

Arguably the centerpiece of this shopping mecca is the original JP Lick's ice cream shop.

Located in a circa-1865 former fire station, JP Licks was founded in the neighborhood in 1981, according to its web site. "The shop immediately began to gain popularity and became a hit with local residents and area college students," the site crows. "Its eclectic look gave the store a distinctive atmosphere and my staff, mostly Mass College of Art students (who one customer good naturedly described in 1981, as a 'freak show of polite, tattooed, body pierced, gay and lesbian kids, and other assorted weirdos'), added to the shop’s unique environment."

The business operates nine stores in Greater Boston. As for the building, it once housed the Jamaica Plain Fire Engine Co. #28 and the JP Hook and Ladder Co. #10, per MACRIS. I'm not sure whether JP Licks moved here in 1981 or not, and when the fire station was shuttered.

Across Centre Street from JP Licks, on the side of Lebanese eatery Cafe Beirut, is another fantastic mural.

Painted by Bob White in 2004, this scene of kids hanging out and playing in a wooded area overlooking a lake and small town was the first completed by the Jamaica Plain Youth Mural Program, according to this 2008 article. "It was designed as a tool to teach the students to paint depth, shading, and contrast," the artist says in that article.

We conclude this tour with a shot of a former service station.

I don't know how long ago this place ran out of gas. Back in 2010, it was known as Mike's Service Station, and it was shut down for code violations, including operating without permits and having abandoned cars, a leaking oil tank and "illegal" propane heaters, according to the linked article. In October 2013, the Jamaica Plain Gazette ran an article indicating that the site was being targeted for redevelopment as a liquor store. At that time, the shop was known as El Rubio's Auto Repair Shop. That proposal fell through. Something will go here someday.

That wraps up my review of this area of Jamaica Plain. Stay tuned for the next installment, in which I venture further north along Centre Street and then east into the Hyde Square neighborhood.

Here are some other Jamaica Plain posts from years past:

January 26, 2018, "Jamaica Plain Has Plenty of Flair"

December 9, 2017, "Artist Thinks: 'I HAF to Fix That Smokestack'"

March 27, 2015, "Blessed Renovation"

A Saturday Skulk Through Southie

From Dave Brigham: I've covered South Boston quite a bit on this blog (see the bottom of this post for links) yet somehow I found more...