Showing posts with label churches. Show all posts
Showing posts with label churches. Show all posts

Saturday, February 1, 2025

Sneakin' Sally Through Boston's Alleys

From Dave Brigham:

There may be another song about furtively walking through the narrow back streets of a city, but I don't know of it. Robert Palmer's cornered the market in my mind, so that's the soundtrack and headline inspiration for this post about my initial exploration of a few of Boston's many public alleys. I hope to check out more as time goes on, as I am fascinated by these perfect embodiments of the backside of America.

After checking out a Boston Open Market adjacent to Boston Common on a beautiful early October Saturday, I set off to roam nearby and within a minute found myself standing in front of Public Alley 438, just north of the Arlington Street Church in Back Bay. I've walked through some of Boston's alleys before, sometimes in service of this blog, other times just for the hell of it. And for a while I've had it in my head to do a more thorough survey of them and write about them here.

So, I figured as I stood there peering into the shadows, what better time than now, with no other plan in mind for the afternoon?

The first thing that caught my eye as I strolled along this alley, which runs behind buildings on both Boylston and Newbury streets, was perhaps the ideal siting of the day.

Brooks Brothers is a storied American luxury clothing brand. Founded in 1818 in Manhattan, the retail chain has grown to include more around 150 stores worldwide, down from a high of more than 200 before the company declared bankruptcy a few years ago.

When I think of rich people, I think of Brooks Brothers. I'm sure that would swell the heart of any man wearing a Classic Fit Patch Pocket Sport Coat in Wide-Wale Cotton Corduroy. But I also love a nice contrast, such as a faded-and-amateur printed sign on a small back-alley door for one of the world's premier fashion outlets. This small, rusty and rather secure-looking door is at the rear of 46 Newbury Street, where Brooks Brothers once was located. The Boston store currently occupies 109 Newbury Street.

There are a lot of these types of small doors in Boston's public alleys, some at ground level like this one, others raised up quite a bit higher as we'll see further down this post. They were likely used for deliveries of coal or ice and other products in use in the late 19th and early 20th centuries.

When I hit Berkeley Street, where Public Alley 438 ends, I walked north across Newbury Street and then headed east in Public Alley 437. This narrow way runs parallel to Newbury Street and Commonwealth Avenue, and, like most of the other alleys I traversed, is where people who live in this high-priced district park their cars. This alley also faces the rear end of Emmanuel Church in the City of Boston.

The church was consecrated in 1862 and was the first building completed on Newbury Street. It's a beautiful and historic house of worship, but alas, it's not perfect.

I'll forgive that small blemish, especially in light of the fact that the most adorable door I saw on this tour leads into the church.

This small door leads to the Puppeteers Collaborative and Puppet Library, which were founded in 1976 by Sara Peattie and the late George Konoff, according to this article in The Hungtington News, which is an independent student newspaper at Boston's Northeastern University.

I love that the door is child-sized, and I smile when I think of adults stooping to get into the workshop.

I didn't go to the end of this alley, as it leads under The Newbury Boston, a luxury hotel, and all I saw was a loading dock and some dumpsters. I doubled back across Berkeley Street and found myself looking at a lovely little detail on the rear of the Church of the Covenant, while standing in Public Alley 436.

Built in 1867, the church "includes 42 large Tiffany windows, a gigantic glass lantern, rare Tiffany glass mosaics, complex paint schemes, elaborate trusses and traceries, a bronze chancel rail, organ screens, decorative wainscoting, chancel furniture, a eagle lectern, a pulpit, pews, a baptismal font," per its web site.

I'd love to get inside some day to see that. But that little basement window underneath a back exit, next to a garbage can, looks pretty damn good to me, too.

So let's take a break to learn about these public alleys. There are a lot of them; the more I look at Google Maps, the more of them I find. There are also private alleys. Most, if not all, of them originally served the same purpose: as entry points for deliveries of coal, ice, food supplies and who knows what else (guns? love letters? banned books? alcohol during Prohibition?). They are located in neighborhoods where the buildings date to the mid-19th century through the early 20th.

"Originally, all of the alleys were private, with each property owner owning the land to the middle of the passageway and each deed containing easements for common passage and drainage by the owners of the other lots on the block," according to this Back Bay Houses article. "As private property, the alleys were the responsibility of the owners, not the city, to maintain. Inattention and inability to reach agreement among the owners about maintenance led to significant deterioration. In the 1890s, the poor maintenance and condition of the alleys became a matter of increasing public concern.

"In 1898, the Massachusetts Legislature granted the City of Boston the authority to take jurisdiction over alleys 25 feet or less in width....The City subsequently designated all but three alleys in the residential portion of the Back Bay as public alleys and took responsibility for their maintenance," the article continues. This designation holds for public alleys in other parts of the city.

Today, the alleys, many of which are about 16 feet wide, lead to residential parking and, in some cases, entry points into apartments and condominiums. Restaurants have large trash bins in some of the alleys, which means there are of course rats scurrying around. I imagine flooding is a problem in some of them.

I didn't see any members of the Rattus norvegicus family on this tour, but I did see chained-up bicycles, idling food-delivery scooters, other folks ambling along, back windows into expensive shops and much more. I imagine the alleys see their share of drug-dealing and prostitution in certain areas, as well as quirky middle-aged men making photos of rusty fire escapes, odd doorways and church windows.

OK, let's get back to the sites.

Where Public Alley 436 meets Clarendon Street, I made a photo of a back gate and a lovely trio of windows.

This is the rectory of nearby Trinity Church. The building dates to 1880 and was designed by architecture giant H.H. Richardson, per Wikipedia. I featured this building in a post nearly five years ago about this area of Boston (see March 11, 2020, "A Walk Through Boston's Back Bay & Copley Square").

I continued west down Public Alley 435 and there, across from a trio of what are likely very expensive parking spaces, and a garage with a fenced patio on top (some real money here...), I was happy to see a side alley with garbage cans and other signs of the back of a restaurant.

I love skirting the edges of society, where different cultures, lifestyles, economic positions and ways of life clash. That's what I liked most about exploring the alleys of the ritzy area of Back Bay: lots of money in the parking spots and condos and private gardens and shops and restaurants. But a different reality, in the form of garbage, smelly puddles, rat traps, dark corners and hidden history stands right there, too.

I crossed Dartmouth Street and near the western end of Public Alley 434, I saw some Mexican pride hanging in a window at the rear of 184 Commonwealth Avenue.

In a few steps I was agog at one of my favorite buildings in Boston: the First Spiritual Temple at the corner of Exeter and Newbury Streets. Even standing in the shadows of an alley, with little room to step back, look up and take in all the grandeur of Hartwell and Richardson's creation, I was in awe.

I wrote about this slab of magnificence in early 2020 (see February 5, 202, "God -> Movies -> Books -> Food -> Education").

I crossed Exeter Street and headed down Public Alley 433. I dug the very non-chic back entrance to 208 Commonwealth Avenue, where condos run in excess of $700,000.

At the intersection of Fairfield Street and Public Alley 432 is a lovely building known historically as the Asa Potter house. I was hypnotized by the fire escapes.

The house was completed in 1877 and had one of the first residential elevators in the Back Bay, per this article at Back Bay Houses.

A short distance west along the alley and I encountered a tableau of colors too lovely to ignore.

This is the back door to La Neta Pinche Taco Shop, at 255 Newbury Street. There's so much going on in this scene: the blue trash bin contrasting with the white linen box; the yellow cage for propane tanks bumping against the white barrels; the green trash bin anchoring the right side; the boxes and plastic storage containers filled with ingredients; the scooter that an employee might have ridden to work. All of these items tell stories about the food industry that most customers don't see or think about.

Speaking of the food industry....

Across Gloucester Street, at the east end of Public Alley 431, is Casa Romero, a Mexican restaurant that's been in business since 1972. When I posted this photo on Instagram, a few of my followers vouched for the eatery's excellence. This place has to be good, considering its alleyway entrance.

Continuing across Hereford Street and into Public Alley 430, I came across one of the more decadent elements I've seen in the Back Bay.

What this not-so-great photo is showing you is part of an extensive roof deck/parking garage/covered parking structure that stretches behind several Commonwealth Avenue buildings, some of which are ivy-covered. I tried to find out more about this feature, but was unable to do so. If anyone knows about it, please share.

Just before the western end of Public Alley 430 at Massachusetts Avenue, the combination of window reflection, peeling paint (ironic considering this is at the rear of a Johnson Paint store) and some scuffed-up brick spoke to me.

I headed south on Mass. Ave., unsure exactly where I would find my next alley, although I knew there were plenty of options. I went east on Boylston Street, then past the beautiful pair of buildings occupied by Boston Architectural College and Boston Fire Department's Ladder 15 and Engine 33 companies, and turned north on Hereford Street. And boom - Public Alley 444 to my left.

The small brick building in the foreground may have been a stable or firehouse in its original incarnation, based on its front facade. The Brutalist building looming in the background is the primary home of the previously mentioned architectural college (I believe the shorter brick building is also part of that institution). The six-story concrete block, which was completed in 1966, was designed by Ashley, Meyer & Associates. The 50-foot architectural trompe l'oeil mural seen here from the alley was painted on the west elevation in 1979 by artist Richard Haas.

I headed back across Hereford and into Public Alley 443, where I immediately saw a curious white door about 6-8 feet above the sidewalk.

I can picture a horse-drawn wagon from Brookline Ice & Coal slogging through the mud, stopping in front of this door and loading product into a kitchen or boiler room. This is the rear of The Tennis & Racquet Club, which was founded in 1902 in this Classical Revival building designed by the firm of Parker & Thomas. "[T}he oldest athletic and social club in the city of Boston...[t]he club is known for its century-old tradition of court tennis (the regal, slate-walled ancestors of all racquet sports), the unique and exciting game of racquets, and its top-rated squash program," per its web site.

I can smell the sweat of early-20th century Boston Brahmins through the walls, and taste their cognac.

(No trespassing sign right around the corner from the funky white door.)

Several restaurants and bars back up to Public Alley 443. Below is one of many large garbage bins located there.

I believe "NNN" refers to this band, who I'd never heard of.

I debated making the photo below, as it's a personal decoration outside someone's apartment window. But I couldn't resist.

After crossing Fairfield Street into Public Alley 441, I made the shot below. That rusty duct just hit me right.

A little further down that alley, I felt the need to document the truth of the sign below.

Correct. There are no dumpsters here. But what's in that rat death trap?

Below is my favorite image from my back-alley jaunt.

I don't recall exactly where this totally random set of lockers was located, and it doesn't even matter. I just love the light blue of the lockers against the reds and whites and browns of the bricks. And I wonder: who put the lockers there? Why? Why are some of them open? And what's with the paint can?

I went back across Exeter Street into Public Alley 440. There, I found the sneaky way into Old South Church.

The sanctuary rose in 1875, the third building to stand on this site.

To wrap up my trip, I took a rare selfie in Public Alley 439, somewhere between Dartmouth and Clarendon streets.

Hope you enjoyed this trek through the underbelly of one of Boston's most chic neighborhoods. Keep your eyes peeled for more back-alley adventures in the near future!

Saturday, January 20, 2024

Rocking Through American's Hometown

From Dave Brigham:

Somehow I managed to escape chaperoning duties when each of my kids visited the tourist destination formerly known as Plimoth Plantation with their schools. Known since a 2020 name change as Plimoth Patuxet Museums, the site in Plymouth, Mass., includes a Patuxet homesite, a 17th century English village, a grist mill and the Mayflower II, a replica of the ship that brought European Pilgrims to these shores in 1620. According to Wikipedia, the Patuxet people "were a Native American band of the Wampanoag tribal confederation. They lived primarily in and around modern-day Plymouth, Massachusetts, and were among the first Native Americans encountered by European settlers in the region in the early 17th century."

While I'd driven through Plymouth on my way to and from Cape Cod, I'd never set foot in "America's Hometown." So last summer I decided to go on a pilgrimage of my own.

I'm guessing many, if not all, of my devoted worshipers, er, readers, are familiar with Plymouth and the Pilgrims. So I shant go into detail about the town's place in American history. I was mostly curious about the downtown area, so I started there, about one block from Plymouth Harbor. The main commercial drag is filled with touristy spots but thankfully many of those are located in historic buildings. But of course before too long I found myself within sight of the more obvious trappings of the place, so I had to pay them a bit of attention.

The first thing that caught my eye as I walked along Main Street was a former fire station that until recently was doing business as a restaurant with a rather silly name.

Built around 1895, the Plymouth Central Fire Station served that purpose until sometime in the 1970s, according to MACRIS. "[T]he town leased it for restaurant use. Careful attention was paid to preserve, restore and design around the interior mahogany paneling," MACRIS continues. For 28 years, until spring of this year, the old station was home to an outlet of Sam Diego's, a Mexican restaurant that also operates in Hyannis on Cape Cod. While the name of the restaurant is a bit goofy, I like that the owners went to a lot of trouble to create a myth about Sam Diego.

A house once located on this site was home to the Old Colony Club, a social club for gentlemen that is now located a short distance away on Court Street.

I really wanted to take a picture of the two gentlemen sitting on the side porch of the club, one of whom was wearing a top hat, which is a common sartorial choice with this gang, as evidenced by photos on its web site. Anyway, the Old Colony Club was founded in 1769 by "a group of seven young Plymouth men," evidently in an effort to avoid rubbing elbows with the type of gents who frequented taverns, according to the group's web site.

"In December of [1769] they decided to hold their annual meeting on the anniversary of the December 11, 1620, Landing (sic) on Plymouth Rock," per the group's web site. "This celebration, originally referred to as 'Old Colony Day' and later as 'Forefathers' Day,' was first observed on December 22, 1769. It should be noted that the use of the term 'Pilgrims' to refer to the Plymouth colonists had not yet come into use. They were still just the local 'forefathers' of the little community rather than the symbolic progenitors of the whole nation."

In addition to Forfathers Day, the club holds events for Independence Day and Thanksgiving. As for the building, it is known as the Nathaniel Morton Davis House, and was built in 1789.

Continuing west-northwest on Court Street, I came to a wonderful hand-carved sign on a storefront.

Located in a circa-1769 Greek Revival former residencee, the locksmith shop may be part of the adjacent Peggy's Pawn Shop. I'm not sure. As for building, it is known as Daniel Diman / Coomer Weston House and also the William Goodwin House. The building remained residential until the 1930s or 1940s when the ground floor was converted to retail space, according to MACRIS.

A few doors down, I was charmed by Shelly's English Tea Rooms.

Located in a circa-1880 Greek Revival former residence, Shelly's is the first U.S. outpost of a business begun in England in 2007. As for the building, it is located on land originally granted to Myles Standish and later owned by Governor Bradford, according to MACRIS, as is the case for many of these properties, I believe.

Moseying on down the road, I came to the site of the first "Dame School" in America.

Currently occupied by a realtor's office, the Isaac Symes / Tabitha Plasket House dates to 1772. Plasket lived from 1743 to 1807, and was a school teacher. According to Wikipedia, a dame school was "a private school with a female teacher during the 17th, 18th and 19th centuries. The education provided by these schools ranged from basic to exceptional. The basic type of dame school was more common in New England, where basic literacy was expected of all classes."

The Symes / Plasket house dates to 1772. MACRIS indicates that "tradition states [Plasket] was the first woman school teacher in America."

On the opposite side of Court Street I spied a groovy sign for Artisan Pig, a restaurant offering wood-fired pizzas, sausages, craft beer and fine wines.

The building dates to 1875 and was remodeled in 1975, according to MACRIS.

A short walk away on the west side of Court Street is the former Armory of the Standish Guards (aka Plymouth National Guard Armory).

Now known as the Residences at the Armory, this English Revival building dates to 1906. The Standish Guards were Plymouth's first militia company.

From the armory, I headed down to the harbor. There I saw, you know, harbor stuff. Like trawlers (I think that's what the boats below are called).

As expected, I found plenty of funky restaurants on the waterfront. Below is The Shanty, which serves seafood and other touristy food, and below that is The Shanty Rose, a bar that offers karaoke and, you know, drinks.

The Plymouth assessor's office indicates that this building dates to 1930. Below is the nearby Lobster Hut, which has been around for more than 50 years.

This building rose in 1970, per the assessor. Next is Tavern on the Wharf, which has a boat on its roof.

This building dates to 1998.

Below is Ziggy's Ice Cream, which has been slinging frozen treats since 1957.

The building dates to 1965, according to MACRIS, and was built on the site of a former rope walk, which "is a long straight narrow lane, or a covered pathway, where long strands of material are laid before being twisted into rope," according to Wikipedia. "Due to the length of some ropewalks, workers may use bicycles to get from one end to the other. Many ropewalks were in the open air, while others were covered only by roofs."

In front of Soft as a Grape, I spied a funny anti-boiling t-shirt.

I continued east for a little bit, looked up and realized I was heading straight toward the Ultimate Tourist Spot: Mayflower II and Plymouth Rock. I honestly had no idea where these sites were when I set out on my trip. Part of me thought, "Oh, let's not go there. It's so obvious." The more decisive part countered with, "Sure, it's hokey, but these are important landmarks. Plus, if you tell people you explored Plymouth and decided to skip the main attractions, people will think you're a Commie."

Across from Pilgrim Memorial Park I was fascinated by the Pilgrim Mother Fountain and Statue.

The statue and fountain were gifts of the Daughters of the American Revolution in 1921 for Plymouth's tercentenary celebration. "For the Daughters of the American Revolution, 1920 meant honoring this time of female triumph and Plymouth’s 300th Anniversary Celebration with a nod to the Mayflower women, whose numbers were decimated that first winter in Pawtuxet," per the See Plymouth web site.

I crossed Water Street to the small portico on the edge of the harbor where stands Plymouth Rock.

I knew that the rock was less impressive than a visitor might expect, given its outsize place in American history. Still, it was cool to see it. I dug that people throw coins into the pit for good luck, when the tide comes up and water covers part or perhaps all of the rock. The well-known architectural firm of McKim Mead and White designed the portico, which rose in 1921.

Having satisfied my tourist obligations to see the alleged point where the Pilgrims stepped ashore in the winter of 1620, I headed back toward the shops along Water Street. The Pillory Pub jumped out at me (a pillory, according to Dictionary.com, is "a wooden framework erected on a post, with holes for securing the head and hands, formerly used to expose an offender to public derision.").

Opened in July 2012, the pub is run by the same family that operates the adjacent gift shop (which I will talk about below). The building dates to the 1890s and was used as a market, a warehouse and a restaurant prior to the opening of the pub, according to MACRIS.

As I mentioned, next door is the John Alden Gift Shop, named for the 21-year-old cooper (barrel-maker) on the Mayflower voyage.

The building dates to the 1930s.

At Fishmans Memorial Park facing the harbor, I took a few minutes to reflect on the history and beauty of Plymouth.

From there I headed west on Chilton Street and back to Court Street, where I continued my tour south-southeast. I like the sign for The Mea Thai Cuisine.

"Thai food by Thai wife," it says underneath "The Mea." The restaurant was established in 2021 in a building that dates to 1781 and was originally a house. From MACRIS: "The house here was built after 1781 and as common in that section of Town, was divided into two houses in 1785. The present structure reflects many remodelling and altering changes both in architecture and use through the years so that almost none of the original structure remains."

The other half of this property is occupied by the Galway Pub.

At the entrance to Maria's Tailoring & Alterations at 54 Court Street, under a small welcome mat, I spied an old tile entryway for a prior tenant.

This building, which has been altered greatly over the centuries, dates to 1710, according to MACRIS. "The two story building at 52-54 Court Street is a two-part commercial block with commercial occupancy on the first floor and residential space on the second and attic stories. This property is an altered example of the Colonial style of architecture. The building has a brick veneer on the front façade and vinyl siding on the other elevations. The building’s first floor fenestration has been replaced with modern updates throughout; however, the second and attic story windows appear to be the original two-over-two windows. The roof has been covered in asphalt shingles."

As for the residential and commercial history, MACRIS indicates that "[t]his lot was granted to Martha Waite in the early 1700s and was passed onto Eleazer Rogers who built the house. Rogers sold the property in 1721 to Thomas Phillips who sold it in 1723 to Anthony DeCosta whose widow lived here until 1765....Then in 1795 the property was divided between two owners and changed hands several times. William Morey purchased the southern half in 1812 and then the northern half in 1824 to become the sole owner of the property and lived here into the 1880s. The building remained residential through the early 1900s and by 1912 the ground floor was divided into three businesses: tailor, electrician, and variety store."

I haven't found anything about a store called Sugar Bowl, but I'm guessing it was a candy store dating back to the early- to mid-20th century.

On the opposite side of Court Street stands The Music Box, one part of a mini empire that includes the Guitar Pedal Shoppe (located in the same building) and a recording studio called Soaring Sounds next door.

As you've probably guessed, the building was originally a home, dating to the late 1790s. In the 1890s, the house was sold to the Methodist Episcopal Church, which maintained ownership until 1978, according to MACRIS. After that, the quaint property was owned by the Beis Jacob Society, an organization formed in 1912 in order to raise funds to build a synagogue in Plymouth.

At the corner of Court and South Russell streets, how could I pass up a chance to make a photo of a place called Gunther Tooties?

Part of a local, six-store chain, Gunther Tooties specializes in bagels, and also offers coffee, salads and breakfast and lunch sandwiches. I'm not sure when the business was founded, but the current owner, Tony Chen, purchased the chain in 2006, according to the company's web site. The store should not be confused with Colorado-based eatery chain Gunther Toody's, which was named for a character on the early '60s sitcom, "Car 54, Where Are You?" So I suppose that means Gunther Tooties was, as well.

As for the building, located steps from Plymouth Town Hall, it was previously occupied by Forest Jewelers, a Jubilee restaurant and All Things Tea, according to MACRIS. As for the date it was built, well, the MACRIS reporter was evidently drunk when this file was recorded. At the top of the document available online, next to "Year Constructed," it says 1935. Further in the report, we learn that the "building at 20 Court Street appears to have been constructed between 1910 and 1925." And then a little deeper in, we are told, "According to Sanborn Maps the lot was previously occupied by a dwelling at least until 1927 and the current building was constructed by 1948."

Take your pick. I choose to believe sometime between 1910 and 1925.

I ventured a little further south along Court Street and found myself at the town square, looking up at two very impressive churches. I was fighting the sun that day, so only managed one half-decent photo, seen below.

In the foreground is the Mayflower Meetinghouse, which is operated by the National Pilgrim Memorial Meetinghouse Charitable Trust. Built in 1897 as the First Parish Church of Plymouth, this Romanesque Revival beauty is the fifth house of worship located on this site. It was designed by the Boston architectural firm of Hartwell, Richardson, and Driver and is one of the few examples of this style of architecture in Plymouth, according to MACRIS. That firm was "established in 1881, by Henry Walker Hartwell...and William Cummings Richardson....The firm contributed significantly to the current building stock and architecture of the greater Boston area," according to Wikipedia. "Many of its buildings are listed on the National Register of Historic Places."

According to the The Mayflower Society, First Parish Church donated the building in an effort to save it, and "upon the condition that funds be put in place to permanently maintain it, and that they be allowed to continue scheduling their services there." The Mayflower Society plans an immersive and multi-media museum experience at the site, according to its web site.

Behind the meetinghouse in the photo above is The Church of the Pilgrimage.

Currently affiliated with the United Church of Christ, the congregation was formed in 1801 after splitting off from the First Church, which eventually became Unitarian, according to MACRIS.

"The Church of the Pilgrimage was erected in the Greek Revival style in 1840 and extensively remodeled in the Colonial Revival style to the designs of prominent architect Joseph Everett Chandler," according to MACRIS. "Chandler was responsible for the building's monumental three-bay frontispiece, as well as its belfry, tower, and octagonal cupola."

My final stop on this tour was "the only existing house in Plymouth where Pilgrims actually spent time."

The Jabez Howland House was built in 1667, with additions completed in 1750 and 1790, according to MACRIS. John Howland and his wife, Elizabeth Tilley, both Mayflower passengers, had four sons and six daughters. Jabez, their eighth child, and his wife Bethia lived in the house at 33 Sandwich Street until they moved to Bristol, Rhode Island, in 1680, according to the historic house's web site.

The house was occupied until 1912 when, through the efforts of Mrs. Nelson Titus, then secretary-treasurer, the house was bought by the Pilgrim John Howland Society, according to the web site.

Then it was time for me to ship off....

Way Down Yonder in Pawtucket, Part I

From Dave Brigham: I apologize in advance for this, but I often feel the need to explain my headline choices: I'll admit that befo...